Ma Rainey’s Black Bottom : Enthusiasm, Struggles, & Taboos

Red Bank, NJ — The Two River Theater opened its 2016–2017 season with a vibrant staging of Ma Rainey’s Black Bottom, August Wilson’s 1920s‑inspired play directed by Ruben Santiago‑Hudson.

Ma Rainey’s Black Bottom Review

Set in Chicago in 1927, the play follows legendary blues singer Ma Rainey—known as the “Mother of the Blues”—as she records new tracks with her band. The story explores ambition, exploitation and the racial tensions that shaped the music industry.

Moreover, Ma Rainey, one of Paramount Records’ top‑selling artists, became the first major‑label blues singer. Yet the era’s inequities were stark. Black musicians often earned a fraction of what white performers made, even as those white performers profited from caricatures and Blackface. Although this specific history is not spelled out onstage, the production captures its weight through tone and tension.

The Premise

Producer Sturdyvant (Peter Van Wagner) and manager Irvin (Michael Cumpery) grow frustrated as Ma Rainey runs late. Meanwhile, her band arrives on time and launches into sharp, layered conversations about race, survival and the realities of the 1920s. As the dialogue unfolds, the audience gains deeper insight into the pressures facing Black musicians of the era.

Ma Rainey’s Band

The ensemble delivers a dynamic, textured performance:

• Levee (Brandon Dirden) — an ambitious trumpeter eager to push music into a new era.
• Toledo (Brian D. Coats) — a wise, reflective pianist who grounds the group.
• Slow Drag (Harvy Blanks) — a steady bassist with a calm presence.
• Cutler (James A. Williams) — a modest trombone player who often mediates conflict.

As they wait in the rehearsal room, Levee and Toledo exchange intense, sometimes explosive dialogue that reveals their hopes and wounds. Consequently, their conversations set the emotional tone for the rest of the play.

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Ma Rainey Arrives

When Ma Rainey (Arnetia Walker) finally enters with her girlfriend Dussie Mae (Chante Adams) and her nephew Sylvester (Marcel Spears), chaos follows. A police officer trails them, claiming they assaulted a cab driver. Ma Rainey refuses to back down, and Irvin scrambles to resolve the situation. As a result, the tension in the studio rises quickly.

Throughout the play, Ma Rainey’s power is clear but limited. She commands respect, yet the system still constrains her. Ultimately, Levee learns that lesson in devastating ways.

Lessons in Ma Rainey’s Black Bottom

The production offers a sharp look at Black life in the 1920s, touching on racial injustice, exploitation in the music industry and even the era’s hidden same‑sex relationships. Ma Rainey’s confidence and queerness stand boldly at the center of the story. Furthermore, the play highlights how identity, art and survival intersected for Black performers of the time.

The Two River Theater’s set design deepens the experience. The moment you enter the space, you feel transported into a 1920s recording studio, complete with period‑accurate details and atmosphere.

This staging captures August Wilson’s rich, layered writing with precision and heart. It honors his legacy while giving audiences a powerful lesson in African American history.

In my view, Ma Rainey’s Black Bottom stands among Wilson’s strongest works, and Two River Theater delivers a compelling, authentic production.

The play runs through Oct. 9. Visit tworivertheater.org for ticket information.